“When Soraya first came to us from the brothel, she was unable to speak about her experiences there,” she said.
“It was too painful for her to recall those memories. I understand,” I said.
“No, I mean she was physically unable to speak at all. The trauma had been so profound, she could no longer talk.”
I stared at her trying to allow this new revelation to sink in.
“I had no idea…” was all I could manage in reply.
We came to hear Ruth, an aftercare specialist, speak about her work with girls rescued from brothels in Bangalore, India – victims of slavery, or what has come to be known by many as human trafficking.
The hideous realities of modern slavery were not new to us. With our band, JUBILEE, we’d been making music for more than five years, reaching thousands with the message that slavery still exists. Still, when I hear a story like Soraya’s, I feel the same fist-to-the-gut sensation I’d had years ago when I first learned that little girls as young as five were being raped for someone else’s profit. That there was an international black market for human beings rivaling drugs and arms for 1st place on the list of illegal commodities. People for sale.
As musicians, we knew there had to be a way for us to engage our art directly with the issue of human trafficking beyond playing benefit concerts. Hearing Soraya’s story that night, the seedling of an idea we’d only felt deep in our souls began to sprout and blossom into the full-color vision of what Arts Aftercare would become.
What could the arts mean to someone who had been robbed of their voice? And how could that person’s story change me as an artist? These were the questions that inspired the founding of Arts Aftercare. These questions continue to inspire us as we seek to become better artist-advocates for the millions still being enslaved, and to bring restoration and healing to those who have already been rescued.